Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Gane Box Decorated with Scenes from the Tale of Genji

ID: 30541

unknow artist Gane Box Decorated with Scenes from the Tale of Genji
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unknow artist Gane Box Decorated with Scenes from the Tale of Genji


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unknow artist

  Related Paintings of unknow artist :. | A coastal landscape at sunset,with travellers walking along a path | Still life floral, all kinds of reality flowers oil painting 317 | Schiffe in starmischer See, Sonnenaufgang | Arab or Arabic people and life. Orientalism oil paintings 494 | Seascape, boats, ships and warships.38 |
Related Artists:
RING, Ludger tom, the Younger
German Painter, 1522-1584
Karl Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.
kulturen
ivar johnssons byst av georg karlin, karv i uppsyn som originalet., bares upp au en tung granitplatta med orden forntid framtid. det var det motto karlin helt i nutidsanda satt for sitt museum samlingarna sklle lara om det forgangna inspirera till det kommande.






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